Katrin Angerbauer

Zusammenfassung

Dimensionality Reduction (DR) is a popular technique that is often used in Machine Learning and Visualization communities to analyze high-dimensional data. The approach is empirically proven to be powerful for uncovering previously unseen structures in the data. While observing the results of the intermediate optimization steps of DR algorithms, we coincidently discovered the artistic beauty of the DR process. With enthusiasm for the beauty, we decided to look at DR from a generative art lens rather than their technical application aspects and use DR techniques to create artwork. Particularly, we use the optimization process to generate images, by drawing each intermediate step of the optimization process with some opacity over the previous intermediate result. As another alternative input, we used a neural-network model for face-landmark detection, to apply DR to portraits, while maintaining some facial properties, resulting in abstracted facial avatars. In this work, we provide such a collection of such artwork.

Zusammenfassung

Collaboration is essential in companies and often physical presence is required, thus, more and more Virtual Reality (VR) systems are used to work together remotely. To support social interaction, human representations in form of avatars are used in collaborative virtual environment (CVE) tools. However, up to now, the avatar representations often are limited in their design and functionality, which may hinder effective collaboration. In our interview study, we explored the status quo of VR collaboration in a large automotive company setting with a special focus on the role of avatars. We collected inter-view data from 21 participants, from which we identified challenges of current avatar representations used in our setting. Based on these findings, we discuss design suggestions for avatars in a company setting, which aim to improve social interaction. As opposed to state-of-the-art research, we found that users within the context of a large automotive company have an altered need with respect to avatar representations.

Zusammenfassung

The world is still under the influence of the COVID-19 pandemic. Even though vaccines are deployed as rapidly as possible, it is still necessary to use other measures to reduce the spread of the virus. Measures such as social distancing or wearing a mask receive a lot of criticism. Therefore, we want to demonstrate a serious game to help the players understand these measures better and show them why they are still necessary. The player of the game has to avoid other agents to keep their risk of a COVID-19 infection low. The game uses Virtual Reality through a Head-Mounted-Display to deliver an immersive and enjoyable experience. Gamification elements are used to engage the user with the game while they explore various environments. We also implemented visualizations that help the user with social distancing.

Zusammenfassung

Among the many changes brought about by the COVID-19 pandemic, one of the most pressing for scientific research concerns user testing. For the researchers who conduct studies with human participants, the requirements for social distancing have created a need for reflecting on methodologies that previously seemed relatively straightforward. It has become clear from the emerging literature on the topic and from first-hand experiences of researchers that the restrictions due to the pandemic affect every aspect of the research pipeline. The current paper offers an initial reflection on user-based research, drawing on the authors' own experiences and on the results of a survey that was conducted among researchers in different disciplines, primarily psychology, human-computer interaction (HCI), and visualization communities. While this sampling of researchers is by no means comprehensive, the multi-disciplinary approach and the consideration of different aspects of the research pipeline allow us to examine current and future challenges for user-based research. Through an exploration of these issues, this paper also invites others in the VIS-as well as in the wider-research community, to reflect on and discuss the ways in which the current crisis might also present new and previously unexplored opportunities.

Zusammenfassung

Heatmaps are a popular visualization technique that encode 2D density distributions using color or brightness. Experimental studies have shown though that both of these visual variables are inaccurate when reading and comparing numeric data values. A potential remedy might be to use 3D heatmaps by introducing height as a third dimension to encode the data. Encoding abstract data in 3D, however, poses many problems, too. To better understand this tradeoff, we conducted an empirical study (N=48) to evaluate the user performance of 2D and 3D heatmaps for comparative analysis tasks. We test our conditions on a conventional 2D screen, but also in a virtual reality environment to allow for real stereoscopic vision. Our main results show that 3D heatmaps are superior in terms of error rate when reading and comparing single data items. However, for overview tasks, the well-established 2D heatmap performs better.

Zusammenfassung

Subtitles play a crucial role in cross-lingual distribution of multimedia content and help communicate information where auditory content is not feasible (loud environments, hearing impairments, unknown languages). Established methods utilize text at the bottom of the screen, which may distract from the video. Alternative techniques place captions closer to related content (e.g., faces) but are not applicable to arbitrary videos such as documentations. Hence, we propose to leverage live gaze as indirect input method to adapt captions to individual viewing behavior. We implemented two gaze-adaptive methods and compared them in a user study (n=54) to traditional captions and audio-only videos. The results show that viewers with less experience with captions prefer our gaze-adaptive methods as they assist them in reading. Furthermore, gaze distributions resulting from our methods are closer to natural viewing behavior compared to the traditional approach. Based on these results, we provide design implications for gaze-adaptive captions.

Zusammenfassung

With the growing interest in Immersive Analytics, there is also a need for novel and suitable input modalities for such applications. We explore eye tracking, head tracking, hand motion tracking, and data gloves as input methods for a 2D tracing task and compare them to touch input as a baseline in an exploratory user study (N=20). We compare these methods in terms of user experience, workload, accuracy, and time required for input. The results show that the input method has a significant influence on these measured variables. While touch input surpasses all other input methods in terms of user experience, workload, and accuracy, eye tracking shows promise in respect of the input time. The results form a starting point for future research investigating input methods.

Zusammenfassung

Ubiquitous, situated, and physical visualizations create entirely new possibilities for tasks contextualized in the real world,such as doctors inserting needles. During the development of situated visualizations, evaluating visualizations is a core requirement.However, performing such evaluations is intrinsically hard as the real scenarios are safety-critical or expensive to test. To overcomethese issues, researchers and practitioners adapt classical approaches from ubiquitous computing and use surrogate empiricalmethods such as Augmented Reality (AR), Virtual Reality (VR) prototypes, or merely online demonstrations. This approach’s primaryassumption is that meaningful insights can also be gained from different, usually cheaper and less cumbersome empirical methods.Nevertheless, recent efforts in the Human-Computer Interaction (HCI) community have found evidence against this assumption, whichwould impede the use of surrogate empirical methods. Currently, these insights rely on a single investigation of four interactive objects.The goal of this work is to investigate if these prior findings also hold for situated visualizations. Therefore, we first created a scenariowhere situated visualizations support users in do-it-yourself (DIY) tasks such as crafting and assembly. We then set up five empiricalstudy methods to evaluate the four tasks using an online survey, as well as VR, AR, laboratory, and in-situ studies. Using this studydesign, we conducted a new study with 60 participants. Our results show that the situated visualizations we investigated in this studyare not prone to the same dependency on the empirical method, as found in previous work. Our study provides the first evidence thatanalyzing situated visualizations through different empirical (surrogate) methods might lead to comparable result

Zusammenfassung

We investigate how Mixed Reality (MR) can be used to guide human body motions, such as in physiotherapy, dancing, or workout applications. While first MR prototypes have shown promising results, many dimensions of the design space behind such applications remain largely unexplored. To better understand this design space, we approach the topic from different angles by contributing three user studies. In particular, we take a closer look at the influence of the perspective, the characteristics of motions, and visual guidance on different user performance measures. Our results indicate that a first-person perspective performs best for all visible motions, whereas the type of visual instruction plays a minor role. From our results we compile a set of considerations that can guide future work on the design of instructions, evaluations, and the technical setup of MR motion guidance systems.